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By technically and visually profiling specific film stocks, color scientists were able to create specific film emulation LUTs, or Look-Up Tables, which post-production artists could then use to simulate what the final image would actually look like once printed back to film. Most theaters at the time still projected movies from 35mm reels, but as DI began to take hold, the high costs and logistical burden associated with transporting, managing, and caring for 35mm reels became an sticking point in the minds of many.
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Digital acquisition became more common over the next several years, with other big-name trailblazers like James Cameron experimenting with the technology. In 2009, Slumdog Millionaire became the first digitally captured feature to receive an Academy Award for Best Cinematography. The next year in 2010, industry heavyweight Arri introduced their Alexa digital cinema camera system, which finally persuaded many hold-outs to join the digital acquisition club. 2ff7e9595c
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